野野村馨 (Kaoru Nonomura)，一九五九年生于神奈川县，毕业前夕曾前往亚洲各国旅行，后进设计事务所工作。三十岁那年突然辞职出家，在以严厉著称的曹洞宗大本山永平寺度过一年修行生活；之后再次回到设计事务所上班，在上下班的通勤电车上，开始执笔记录修行的日子，最后成为 本书。

A comprehensive, genre-defining survey of children's product and furniture design from Bauhaus to today Design for Children, a must-have book for all style-conscious and design-savvy readers, documents the evolution of design for babies, toddlers, and beyond. The book spotlights more than 450 beautiful, creative, stylish, and clever examples of designs created exclusively for k...(展开全部)

The book focuses on the history of Zen Buddhism and Japanese militarism from the time of the Meiji Restoration through the Second World War and the post-War period. It describes the influence of state policy on Japanese Buddhism, and particularly the influence of Zen philosophy on the Japanese military. A famous quote is from Harada Daiun Sogaku: [If ordered to] march: tramp, t...(展开全部)

THE SUNDAY TIMES BESTSELLER - BEST GARDENING BOOKS OF 2020 - Sunday Times, Times 'Every page a joy.' Nigel Slater 'From a very early age I loved the countryside as much as any garden and was fascinated by the life that I saw all around me from trees, wildflowers, birds, insects and mammals. In a sense this book has been over sixty years in gestation. I have kept notebooks and j...(展开全部)

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boy...(展开全部)

'When I'd slept enough, I'd be okay. I'd be renewed, reborn.' This is the story of a woman with no name. Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. Yet she longs to lose herself completely. It's the year 2000 in a city aglitter with wealth and possibility; wha...(展开全部)

奥特莎·莫什费格（Ottessa Moshfegh），来自美国新英格兰区，是近年来美国文坛备受瞩目的青年小说家。她的小说曾发表在《巴黎评论》《纽约客》《格兰塔》上，并获得普斯卡特奖、欧·亨利奖，以及美国国家艺术基金会的资助。她的第一部小说《艾琳》（也译为《消失的囚徒》）就入围美国国家书评人协会奖和布克文学奖，并获得笔会/海明威小说首作奖；第二部小说《我想睡上一整年》获评《纽约时报》《卫报》《柯克斯书评》《华盛顿邮报》VICE等媒体年度好书，《时代周刊》年度十佳小说，《娱乐周刊》年度最佳小说，入选美国亚马逊编辑推荐书单，反响热烈。《每日斯坦福》称她为“短篇女王”“支配古怪和扭曲的女神”。 译者娲蔷，本名焦晓菊，自由译者。曾译有保罗·奥斯特的《巨兽》、蕾秋·乔伊斯的《时间停止的那一天》等多部优秀图书。

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boy...(展开全部)

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boy...(展开全部)

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boy...(展开全部)